{"id":64,"date":"2021-02-19T22:45:38","date_gmt":"2021-02-19T22:45:38","guid":{"rendered":"http:\/\/www.lourdescilleruelo.com\/site\/"},"modified":"2022-10-15T13:00:55","modified_gmt":"2022-10-15T13:00:55","slug":"publicaciones","status":"publish","type":"page","link":"https:\/\/www.lourdescilleruelo.com\/web\/publicaciones\/","title":{"rendered":"PUBLICACIONES"},"content":{"rendered":"<section class=\"l-section wpb_row height_medium color_primary with_img parallax_ver parallaxdir_reversed with_shape\"><div class=\"l-section-img\" style=\"background-image: url(https:\/\/www.lourdescilleruelo.com\/web\/wp-content\/plugins\/us-core\/assets\/images\/placeholder.svg);\"><\/div><div class=\"l-section-overlay\" style=\"background:linear-gradient(135deg,#ffbfff,#de47ac)\"><\/div><div class=\"l-section-shape type_custom pos_bottom\" style=\"height:15vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><h2 class=\"w-post-elm post_title align_center entry-title color_link_inherit\">PUBLICACIONES<\/h2><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_medium\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p><strong>PROBLEMAS DESEADOS Y POSTNETART<\/strong>: desde 2014 hasta la actualidad<\/p>\n<\/div><\/div><div class=\"w-tabs layout_ver navwidth_auto navpos_left style_default switch_click has_scrolling\" style=\"--sections-title-size:1em\"><div class=\"w-tabs-list items_6 align_none\"><div class=\"w-tabs-list-h\"><button class=\"w-tabs-item active\" aria-controls=\"content-b5a6\" aria-expanded=\"false\"><span class=\"w-tabs-item-title\">2021<\/span><\/button><button class=\"w-tabs-item\" aria-controls=\"content-t69f\" aria-expanded=\"false\"><span class=\"w-tabs-item-title\">2020<\/span><\/button><button class=\"w-tabs-item\" aria-controls=\"content-i764\" aria-expanded=\"false\"><span class=\"w-tabs-item-title\">2018<\/span><\/button><button class=\"w-tabs-item\" aria-controls=\"content-t868\" aria-expanded=\"false\"><span class=\"w-tabs-item-title\">2016<\/span><\/button><button class=\"w-tabs-item\" aria-controls=\"content-n8ff\" aria-expanded=\"false\"><span class=\"w-tabs-item-title\">2015<\/span><\/button><button class=\"w-tabs-item\" aria-controls=\"content-p99e\" aria-expanded=\"false\"><span class=\"w-tabs-item-title\">2014<\/span><\/button><\/div><\/div><div class=\"w-tabs-sections titles-align_none icon_chevron cpos_right\"><div class=\"w-tabs-section active\" id=\"1627027015356-a79d452d-39b5\"><button class=\"w-tabs-section-header active\" aria-controls=\"content-1627027015356-a79d452d-39b5\" aria-expanded=\"true\"><div class=\"w-tabs-section-title\">2021<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-1627027015356-a79d452d-39b5\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>Zubiaga,\u00a0 A. y\u00a0 Cilleruelo, L. (2021). See and Be Seen. Individuaciones (Des)conectadas. En Baigorri, L. y Ortu\u00f1o, P. (Eds.) Cuerpos Conectados. Arte, identidad y autorrepresentaci\u00f3n en la sociedad transmedia. Dykinson: Madrid.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1615552307280-eb68136c-f9d4\"><button class=\"w-tabs-section-header\" aria-controls=\"content-1615552307280-eb68136c-f9d4\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">2020<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-1615552307280-eb68136c-f9d4\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><ul>\n<li>Cilleruelo, L. (2020). \u00ab\u00bfQu\u00e9 fue del net.art? Del <em>open source<\/em> al <em>open for business<\/em>\u00ab. En Donald Kuspit [Ed.], <a href=\"https:\/\/www.circulobellasartes.com\/libros\/arte-digital-y-videoarte-2\/\"><em>Arte digital y videoarte<\/em>. <em>Transgrediendo los l\u00edmites da la representaci\u00f3n<\/em><\/a>. Madrid: C\u00edrculo de Bellas Artes.<\/li>\n<li>Madariaga, I. y Cilleruelo, L. (2020). \u201cEducar en tiempos de selfie: hacia el antiselfie\u201d. <em>Artseduca, 27<\/em>: 114-127. Universitat Jaime I. <a href=\"https:\/\/doi.org\/10.6035\/Artseduca.2020.27.9\">https:\/\/doi.org\/10.6035\/Artseduca.2020.27.9<\/a><\/li>\n<li>Zubiaga, A., y Cilleruelo, L. (2020). \u00abJuegos de emulaci\u00f3n: marco ideol\u00f3gico para una arquitectura neuronal electr\u00f3nica de inspiraci\u00f3n biol\u00f3gica\u00bb. <em>Artnodes<\/em>, 25: 1-12. UOC. <a href=\"http:\/\/doi.org\/10.7238\/a.v0i25.3321\">http:\/\/doi.org\/10.7238\/a.v0i25.3321<\/a><\/li>\n<li>Zubiaga A., Cilleruelo L. (2020) Emulation Games. In: Romero J., Ek\u00e1rt A., Martins T., Correia J. (eds) Artificial Intelligence in Music, Sound, Art and Design. EvoMUSART 2020. Lecture Notes in Computer Science, vol 12103. Springer, Cham. <a href=\"https:\/\/doi.org\/10.1007\/978-3-030-43859-3_15\">https:\/\/doi.org\/10.1007\/978-3-030-43859-3_15<\/a><\/li>\n<li>Zubiaga A., Cilleruelo L. (2020). See And Be Seen: Jugando a emular la consciencia\u00bb. En Diogo Marques y Ana Gago (Ed.) <a href=\"http:\/\/cibertextualidades.ufp.edu.pt\/investigacao-experimentacao-criacao\" target=\"_blank\" rel=\"noopener\"><em>Cibertextualidades<\/em>.<\/a> Oporto: Publica\u00e7\u00f5es Universidade Fernando Pessoa. ISBN: 978-989-643-163-1 | ISSN: 1646-4435<\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1615552307548-1402d2d9-8648\"><button class=\"w-tabs-section-header\" aria-controls=\"content-1615552307548-1402d2d9-8648\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">2018<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-1615552307548-1402d2d9-8648\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><ul>\n<li>Zubiaga, A. y Cilleruelo, L. (2018). \u00abSee and Be Seen. Objects and Subjects\u00bb. En <em>eWICs Series<\/em>, Londres: BCS, Chartered Institute for IT. <a href=\"http:\/\/dx.doi.org\/10.14236\/ewic\/EVAC18.31\">http:\/\/dx.doi.org\/10.14236\/ewic\/EVAC18.31<\/a><\/li>\n<li>Pe\u00f1a-Zabala, M., Cilleruelo, L., &amp; Aberasturi-Apraiz, E. (2018). \u00abLego Serious Play como un m\u00e9todo visual evaluador de pr\u00e1cticas educativas vinculadas al arte contempor\u00e1neo\u00bb. <em>Arte, Individuo y Sociedad<\/em>, 30(2), 243-259. <a href=\"https:\/\/doi.org\/10.5209\/ARIS.56693\">https:\/\/doi.org\/10.5209\/ARIS.56693<\/a><\/li>\n<li>Pe\u00f1a-Zabala, M., Cilleruelo, L., y Aberasturi-Apraiz, E. (2018). Lego Serious Play: hacia la permeabilidad del pensamiento cr\u00edtico. <em>REIRE Revista d\u2019Innovaci\u00f3 i Recerca en Educaci\u00f3<\/em> , 11 (1), 1-15. <a href=\"http:\/\/doi.org\/10.1344\/reire2018.11.119183\u00a0\">http:\/\/doi.org\/10.1344\/reire2018.11.119183\u00a0<\/a><\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1615552351738-7eeaabe7-61a1\"><button class=\"w-tabs-section-header\" aria-controls=\"content-1615552351738-7eeaabe7-61a1\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">2016<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-1615552351738-7eeaabe7-61a1\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><ul>\n<li class=\"has-content-heading-color has-text-color\">Cilleruelo, L., Pe\u00f1a, M. y Aberasturi-Apraiz, E. (Ed.) (2016).<a href=\"http:\/\/www.interact.com.pt\/memory\/interact7\/ensaio\/ensaio3.html\" target=\"_blank\" rel=\"noopener\"><em>Culturas de creatividad<\/em><\/a>.\u00a0<em>Arte y pol\u00edticas de identidad<\/em>, 14-1.\n<div class=\"pkp_structure_page\">\n<div class=\"pkp_structure_content has_sidebar\">\n<div id=\"pkp_content_main\" class=\"pkp_structure_main\" role=\"main\">\n<div class=\"page page_issue\">\n<div class=\"obj_issue_toc\">\n<div class=\"heading\">\n<div class=\"editum_issue_info\">\n<div class=\"editum_doi\"><span class=\"label\">DOI: <\/span> <span class=\"value\"><a href=\"https:\/\/doi.org\/10.6018\/reapi\" target=\"_blank\" rel=\"noopener\"> https:\/\/doi.org\/10.6018\/reapi<\/a> <\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/li>\n<li class=\"has-content-heading-color has-text-color\">Cilleruelo, L., Pe\u00f1a, M. y Aberasturi-Apraiz, E. 2016. <a href=\"https:\/\/revistas.um.es\/reapi\/article\/view\/280351\/204961\" target=\"_blank\" rel=\"noopener\">\u201c\u00bfPor amor al arte? y otros monstruos contempor\u00e1neos\u201d<\/a>. <em>Arte y pol\u00edticas de identidad<\/em>, 14-1, pp.11-15.<\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1615552372227-bbda331b-674b\"><button class=\"w-tabs-section-header\" aria-controls=\"content-1615552372227-bbda331b-674b\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">2015<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-1615552372227-bbda331b-674b\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><ul>\n<li>Cilleruelo, L.; Zubiaga, A.; Pe\u00f1a-Zabala, M.(2015). Desired Problems: an Artistic Approach in the Field of Neural Networks. En\u00a0<em>Perspectives on Art Education<\/em>\u00a0<em>Conversations Across Cultures<\/em>. De Gruyter. pp.71-78. ISBN 978-311044-410-0.<\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1615552395099-f41e5977-20f8\"><button class=\"w-tabs-section-header\" aria-controls=\"content-1615552395099-f41e5977-20f8\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">2014<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-1615552395099-f41e5977-20f8\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><ul>\n<li>Cilleruelo, L. y Zubiaga, A. (2014).\u00a0<a href=\"http:\/\/www.augustozubiaga.com\/web\/wp-content\/uploads\/2014\/11\/Investigar-en-Psicodidactica.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Una aproximaci\u00f3n a la Educaci\u00f3n STEAM. Pr\u00e1cticas educativas en la encrucijada arte, ciencia y tecnolog\u00eda<\/a>. En Jos\u00e9 Cruz y Maravillas D\u00edaz (coord.)\u00a0<em>Investigar en psicodid\u00e1ctica: una realidad en auge<\/em>. Jornadas de Psicodid\u00e1ctica, 2014, pp. 22-38.<\/li>\n<li>Zubiaga, A.; Cilleruelo, L.(2014).\u00a0<a href=\"https:\/\/www.lourdescilleruelo.com\/web\/publicaciones\/Refuse%20or%20resource?%20Residual%20narrations,%20an%20opportunity%20for%20the%20development%20of%20critical%20thinking%20and%20creative%20capacity\" target=\"_blank\" rel=\"noreferrer noopener\">MONGO: Refuse or resource? Residual narrations, an opportunity for the development of critical thinking and creative capacity<\/a>.\u00a0<em>International Journal of Education Through Art.<\/em>\u00a0<em>10-3,\u00a0<\/em>pp.407-419.<\/li>\n<li>Zubiaga, A.; Cilleruelo, L. (2014).\u00a0<a href=\"https:\/\/www.lourdescilleruelo.com\/web\/wp-content\/uploads\/2022\/10\/2Mongo_Residuos_o_recursos_._Narraciones.pdf\" target=\"_blank\" rel=\"noopener\">Mongo, \u00bfresiduos o recursos?. Narraciones residuales, una oportunidad para el desarrollo del pensamiento cr\u00edtico y la capacidad creativa<\/a>. In Mar\u00edn Viadel, R., Rold\u00e1n, J. y Molinet Medina, X. (eds.). Fundamentaci\u00f3n, criterios y contextos en Investigaci\u00f3n basada en Artes e Investigaci\u00f3n Art\u00edstica. Granada: Universidad de Granada. pp. 235-248<\/li>\n<li>Cilleruelo, L.; Zubiaga, A. (2014). <a href=\"https:\/\/addi.ehu.es\/handle\/10810\/15531\" target=\"_blank\" rel=\"noopener\">E-art\u00edstica: Soluciones urgentes para Problemas deseados<\/a> Proceedings of Ikasnabar 2014, the 7th International Conference on Open Education and Technology. Universidad del Pa\u00eds Vasco. pp.479-490. ISBN 978-84-9860-999-8.<\/li>\n<li>\u00a0<\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p><strong>NET.ART Y ARTE, CIENCIA Y TECNOLOG\u00cdA<\/strong>: desde\u00a0 1999 a 2009<\/p>\n<\/div><\/div><div class=\"w-tabs layout_ver navwidth_auto navpos_left style_default switch_click has_scrolling\" style=\"--sections-title-size:1em\"><div class=\"w-tabs-list items_13 align_none\"><div class=\"w-tabs-list-h\"><button class=\"w-tabs-item active\" aria-controls=\"content-f50d\" aria-expanded=\"false\"><span class=\"w-tabs-item-title\">2009<\/span><\/button><button class=\"w-tabs-item\" aria-controls=\"content-g587\" aria-expanded=\"false\"><span class=\"w-tabs-item-title\">2008<\/span><\/button><button class=\"w-tabs-item\" aria-controls=\"content-z630\" aria-expanded=\"false\"><span class=\"w-tabs-item-title\">2007<\/span><\/button><button class=\"w-tabs-item\" aria-controls=\"content-f6c9\" aria-expanded=\"false\"><span class=\"w-tabs-item-title\">2006<\/span><\/button><button class=\"w-tabs-item\" aria-controls=\"content-g72d\" aria-expanded=\"false\"><span class=\"w-tabs-item-title\">2005<\/span><\/button><button class=\"w-tabs-item\" aria-controls=\"content-j787\" aria-expanded=\"false\"><span class=\"w-tabs-item-title\">2004<\/span><\/button><button class=\"w-tabs-item\" aria-controls=\"content-m7d8\" aria-expanded=\"false\"><span class=\"w-tabs-item-title\">2003<\/span><\/button><button class=\"w-tabs-item\" aria-controls=\"content-u83a\" aria-expanded=\"false\"><span class=\"w-tabs-item-title\">2002<\/span><\/button><button class=\"w-tabs-item\" aria-controls=\"content-s8f2\" aria-expanded=\"false\"><span class=\"w-tabs-item-title\">2001<\/span><\/button><button class=\"w-tabs-item\" aria-controls=\"content-u953\" aria-expanded=\"false\"><span class=\"w-tabs-item-title\">1999<\/span><\/button><button class=\"w-tabs-item\" aria-controls=\"content-j9bf\" aria-expanded=\"false\"><span class=\"w-tabs-item-title\">1997<\/span><\/button><button class=\"w-tabs-item\" aria-controls=\"content-ma25\" aria-expanded=\"false\"><span class=\"w-tabs-item-title\">1996<\/span><\/button><button class=\"w-tabs-item\" aria-controls=\"content-ea7b\" aria-expanded=\"false\"><span class=\"w-tabs-item-title\">1995<\/span><\/button><\/div><\/div><div class=\"w-tabs-sections titles-align_none icon_chevron cpos_right\"><div class=\"w-tabs-section active\" id=\"1619262903227-54db29df-52b2\"><button class=\"w-tabs-section-header active\" aria-controls=\"content-1619262903227-54db29df-52b2\" aria-expanded=\"true\"><div class=\"w-tabs-section-title\">2009<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-1619262903227-54db29df-52b2\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><ul>\n<li>Zubiaga, A. y Cilleruelo, L. (2009).\u00a0<strong>Juventud-Melancol\u00eda: Acerca de la identidad y de sus l\u00edmites performativos<\/strong>. En\u00a0<em>Artes y pol\u00edticas de Identidad<\/em>.\u00a0<a href=\"https:\/\/www.lourdescilleruelo.com\/web\/?p=438\" data-type=\"post\" data-id=\"438\">+info<\/a><\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1619262903304-a3410354-87c6\"><button class=\"w-tabs-section-header\" aria-controls=\"content-1619262903304-a3410354-87c6\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">2008<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-1619262903304-a3410354-87c6\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><ul>\n<li class=\"has-content-heading-color has-text-color\">Cilleruelo, L. (2008)\u00a0<em><a href=\"https:\/\/www.museoreinasofia.es\/publicaciones\/digital-arte\" target=\"_blank\" rel=\"noreferrer noopener\" data-type=\"URL\" data-id=\"https:\/\/www.museoreinasofia.es\/publicaciones\/digital-arte\">Lo digital en el arte<\/a><\/em>. Madrid: Museo Nacional Centro de Arte Reina Sofia.\u00a0\u00a0<a href=\"https:\/\/www.lourdescilleruelo.com\/web\/?p=88\">+info<\/a><\/li>\n<li class=\"has-content-heading-color has-text-color\">Cilleruelo, L. (2008). \u201cLa comunidad y el audiovisual\u201d. En<strong><em>\u00a0Generacion.net ,<\/em><\/strong>\u00a0abril 2008.\u00a0<a href=\"https:\/\/www.lourdescilleruelo.com\/web\/?p=70\">+info<\/a><\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1619262903385-e2f5a7e7-8d64\"><button class=\"w-tabs-section-header\" aria-controls=\"content-1619262903385-e2f5a7e7-8d64\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">2007<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-1619262903385-e2f5a7e7-8d64\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><ul>\n<li>Cilleruelo, L. (2007). F\u00f3siles y monstruos: comunidades y redes sociales art\u00edsticas en el Estado Espa\u00f1ol. En\u00a0<strong><a href=\"http:\/\/medialab-prado.es\/article\/documentacion_-_1_encuentro_inclusiva-net\" target=\"_blank\" rel=\"noopener\">Inclusiva.net. Nuevas din\u00e1micas art\u00edsticas en modo web.2<\/a><\/strong>. Ed. \u00c1rea de las Artes. Direcci\u00f3n General de Promoci\u00f3n y Proyectos Culturales. Madrid. 2007. ISBN: 978-84-96102-35-4 (<strong><a href=\"http:\/\/medialab-prado.es\/article\/documentacion_-_1_encuentro_inclusiva-net\" target=\"_blank\" rel=\"noopener\">e-book .pdf<\/a><\/strong>)<\/li>\n<li>Cilleruelo, L. (2007). Distribuci\u00f3n y financiaci\u00f3n alternativos on line para creadores experimentales. En\u00a0<em>D-NEFF 07. Muestra Experimental Europea<\/em>, Vitoria-Gasteiz, 1 al 6 de octubre de 2007. (<strong><a href=\"http:\/\/www.neffestival.com\/doc\/dneff_cat_07.pdf\">cat\u00e1logo .pdf<\/a><\/strong>)<\/li>\n<li>Baigorri, L. y Cilleruelo, L. (2007). Net.art, cerrando un ciclo. Junto con Laura Baigorri. En Art Tech Media, Montse Arbelo y Joseba Franco ed.,\u00a0<em>Artech<\/em>, Salamanca, 2007. Dep\u00f3sito legal, S.768-2007<\/li>\n<li>Cilleruelo, L. Sobre los l\u00edmites del net.art. En\u00a0<strong><em><a href=\"http:\/\/www.generacionred.net\/\">Generaci\u00f3n Red<\/a><\/em>.<\/strong> Abril 2007. <strong><a href=\"http:\/\/www.brumaria.net\/publicacionbru6.htm\"><em>Net.art. Pr\u00e1cticas est\u00e9ticas y pol\u00edticas en la Red<\/em><\/a><\/strong>. Junto con Laura Baigorri. Barcelona: Brumaria. ISBN: 84-475-3046-9<\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1619262903466-2e2d8411-c068\"><button class=\"w-tabs-section-header\" aria-controls=\"content-1619262903466-2e2d8411-c068\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">2006<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-1619262903466-2e2d8411-c068\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><ul>\n<li>Cilleruelo, L. (2006). \u201cF\u00f3siles y monstruos: comunidades y redes sociales art\u00edsticas en el Estado Espa\u00f1ol\u201d. En\u00a0<strong><em><a href=\"http:\/\/www.fundacioespais.com\/principal.php?idio=2&amp;plana=publicacions\" target=\"_blank\" rel=\"noopener\">Papers d\u2019art<\/a><\/em><\/strong>, N\u00ba91.<strong>\u00a0<a href=\"http:\/\/www.fundacioespais.com\/intro.php\" target=\"_blank\" rel=\"noopener\">Fundaci\u00f3 Espais d\u2019Art Contemporani<\/a><\/strong>\u00a0de Girona. Girona, 2n Semestre 2006. ISSN: 1131-9267<tt><\/tt><\/li>\n<li>Cilleruelo, L. (2006). <a href=\"https:\/\/www.lourdescilleruelo.com\/web\/wp-content\/uploads\/2021\/04\/Experimentacion_de_nuevas_narrativas_y_e.pdf\" target=\"_blank\" rel=\"noopener\">Experimentaci\u00f3n de nuevas narrativas y est\u00e9ticas audiovisuales en Internet<\/a>. En\u00a0<em>Revista de Artes Pl\u00e1sticas, Est\u00e9tica, Dise\u00f1o e Imagen.\u00a0<\/em>N\u00ba4. Ed. Universidad de La Laguna, Santa Cruz de Tenerife, 2006. ISSN: 1645- 761X\u00a0 <a href=\"https:\/\/www.lourdescilleruelo.com\/web\/experimentacion-con-nuevas-narrativas-y-esteticas-visuales-en-interntet\/\" target=\"_blank\" rel=\"noopener\">+info<\/a><\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1619262903549-b6e8fd73-ddda\"><button class=\"w-tabs-section-header\" aria-controls=\"content-1619262903549-b6e8fd73-ddda\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">2005<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-1619262903549-b6e8fd73-ddda\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><ul>\n<li><strong>Cerrando un ciclo: 10 a\u00f1os de net.art en cuatro pasos<\/strong>. Publicado en\u00a0<em>Xarearte<\/em>, 2005<\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1619262903643-8ff26a45-5e4b\"><button class=\"w-tabs-section-header\" aria-controls=\"content-1619262903643-8ff26a45-5e4b\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">2004<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-1619262903643-8ff26a45-5e4b\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><ul>\n<li><strong>Arte y comunidades virtuales. El aspecto creativo de la comunicaci\u00f3n<\/strong>. CD-Rom publicado por el Centro Cultural de Espa\u00f1a y la Facultad de Filosof\u00eda y Humanidades y Artes con motivo del I Simposio::: pr\u00e1cticas de comunicaci\u00f3n emergentes en la cultura digital. C\u00f3rdoba, Argentina, 2004.<\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1619262903738-1b3b270b-84e8\"><button class=\"w-tabs-section-header\" aria-controls=\"content-1619262903738-1b3b270b-84e8\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">2003<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-1619262903738-1b3b270b-84e8\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><ul>\n<li>Vector n. 3 (febrero 2003) de Virose (Portugal). Originalmente publicado en el cat\u00e1logo del Festival M\u00fasica Ex Machina. MEM Codex, Bilbao, diciembre 2002.<\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1619262903831-52893e84-8042\"><button class=\"w-tabs-section-header\" aria-controls=\"content-1619262903831-52893e84-8042\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">2002<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-1619262903831-52893e84-8042\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><ul>\n<li>Cilleruelo, L. (2002). <a href=\"http:\/\/www.interact.com.pt\/memory\/interact7\/ensaio\/ensaio3.html\" target=\"_blank\" rel=\"noopener\">Acciones anticopyright: arte, transgresi\u00f3n y supervivencia<\/a>.\u00a0 <a href=\"http:\/\/interact.com.pt\/category\/07\/\" target=\"_blank\" rel=\"noopener\"><em>Interact n\u00ba7<\/em> <\/a>(Portugal) 2001.<br \/>Originalmente publicado en Viaje al pa\u00eds de los vascos. Asociaci\u00f3n de artistas visuales MEDIAZ, Bilbao 2001.<\/li>\n<li>Crego, J. y Cilleruelo L. (2002). Algunas cuestiones sobre arte y tecnolog\u00eda. Cat\u00e1logo del Festival M\u00fasica Ex Machina. MEM Codex, Bilbao, diciembre 2002<\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1619262903926-9522f706-b2dd\"><button class=\"w-tabs-section-header\" aria-controls=\"content-1619262903926-9522f706-b2dd\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">2001<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-1619262903926-9522f706-b2dd\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><ul>\n<li>Cilleruelo, L. (2001)<strong><em>.<\/em><a href=\"https:\/\/www.lourdescilleruelo.com\/web\/wp-content\/uploads\/2021\/03\/2001_TESIS.pdf\" target=\"_blank\" rel=\"noopener\"><em> Arte de Internet: G\u00e9nesis y definici\u00f3n de un nuevo soporte art\u00edstico (1995-2000)<\/em><\/a>.<\/strong>\u00a0Bilbao: Servicio Editorial de Universidad del Pa\u00eds Vasco. ISBN: 84-8373-367-6. V\u00e9ase\u00a0<strong><a href=\"http:\/\/www.ehu.es\/arteytecnologia\/lcilleruelo\/artedeinternet.htm\" target=\"_blank\" rel=\"noopener\">ap\u00e9ndice on-line\u00a0<\/a><\/strong>.<\/li>\n<li class=\"has-black-color has-text-color\"><strong><a href=\"http:\/\/www.interact.com.pt\/interact7\/ensaio\/ensaio3.html\" target=\"_blank\" rel=\"noopener\">Acciones anticopyright: arte, transgresi\u00f3n y supervivencia\u00a0<\/a><\/strong>(ensayo); \u201cMi vida es perfecta\u2026\u201d (v\u00eddeo); y \u201cSin t\u00edtulo\u201d (fotograf\u00eda digital). En la publicaci\u00f3n multimedia\u00a0<em>Viaje al pa\u00eds de los vascos<\/em>. Asociaci\u00f3n de artistas visuales MEDIAZ, 2001.<\/li>\n<li><strong>seARchT Engines:de(sin)formaci\u00f3n.\u00a0<\/strong>Festival de Creaci\u00f3n Audiovisual de Navarra. Pamplona, 2001.Menci\u00f3n especial: Jose Luis Brea en 2002: Arte del Futuro una selecci\u00f3n de bookmarks de net.art para el programa Metr\u00f3polis de TVE<\/li>\n<li>Cilleruelo, L. (2001).<strong> Manual de referencia para el artista de Internet<\/strong>. Originalmente publicado en\u00a0<em>Arte elektronikoa Euskal Herrian. Un lugar para el arte en el lugar de la ciencia<\/em>. Miramon, Kutxaespacio de la ciencia. San Sebasti\u00e1n, Gipuzkoa, 2001.\u00a0<a href=\"https:\/\/www.lourdescilleruelo.com\/web\/656-2\/?preview_id=656&amp;preview_nonce=fbd9a76417&amp;preview=true\" target=\"_blank\" rel=\"noopener\">+ info<\/a><\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1619262904023-2413bb42-1aab\"><button class=\"w-tabs-section-header\" aria-controls=\"content-1619262904023-2413bb42-1aab\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">1999<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-1619262904023-2413bb42-1aab\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><ul>\n<li>Cilleruelo, L (1999). La intimidad en venta o c\u00f3mo los ordenadores han convertido nuestra vida en un secreto a voces. En\u00a0<em>Erreakzioa-Reacci\u00f3n 9<\/em>. Bilbao, 1999.<\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1619262904127-0d0ed2fc-4c2d\"><button class=\"w-tabs-section-header\" aria-controls=\"content-1619262904127-0d0ed2fc-4c2d\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">1997<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-1619262904127-0d0ed2fc-4c2d\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><ul>\n<li>Cilleruelo, L. (1997). Video-culturas y ciber-culturas: profanando la pantalla, nuestra mente y nuestros cuerpos.\u00a0En\u00a0<a href=\"https:\/\/www.viruseditorial.net\/ca\/libreria\/libros\/141\/lo-tecnologico-en-el-arte\" target=\"_blank\" rel=\"noopener\"><em>Lo tecnol\u00f3gico en el arte: de la cultura v\u00eddeo a la cultura ciborg<\/em><\/a>. Virus Editorial. Barcelona, 1997. ISBN 84-88455-47-x<\/li>\n<li>Crego, J. y Cilleruelo, L. (1996). Cibermitoterminolog\u00e9tica. Originalmente publicado en <em>Bla BlArt 9<\/em>, n\u00ba6, F. Bellas Artes (UPV\/EHU), Leioa, abril, 1997. En\u00a0<em>10\u00aa Exposici\u00f3n Audiovisual + Symposium (cat\u00e1logo)<\/em>. F. Bellas Artes UPV\/EHU, Leioa, Octubre, 1997. Publicado online en\u00a0<em>TAE- Taller de Cibercultura y Arte Electr\u00f3nico<\/em>. Responsable: Jos\u00e9 Mar\u00eda Alonso Calero. Universidad de M\u00e1laga.C<\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1619262904225-ce0bcfda-ec54\"><button class=\"w-tabs-section-header\" aria-controls=\"content-1619262904225-ce0bcfda-ec54\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">1996<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-1619262904225-ce0bcfda-ec54\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><ul>\n<li>Cilleruelo, L. (1996). El v\u00eddeo entre bits<strong>.<\/strong> En <em>Encuentros V\u00eddeo en Pamplona 1996. Actas y documentos de trabajo.<\/em> Gobierno de Navarra, Pamplona.<\/li>\n<li>Cilleruelo, L. (1996). M\u00fasica electr\u00f3nica al ritmo de ciborgs, robots y knowbots.\u00a0En\u00a0<em>El Tubo<\/em>. Bilbao, dic. 1996.<\/li>\n<li>Cilleruelo, L. (1996). La nueva materia prima de los 90. En <em>8\u00aa Exposici\u00f3n Audiovisual de la Facultad de Bellas Artes<\/em>, Bilbao.<\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1619262904332-28bbacd6-6a04\"><button class=\"w-tabs-section-header\" aria-controls=\"content-1619262904332-28bbacd6-6a04\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">1995<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-1619262904332-28bbacd6-6a04\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><ul>\n<li>Cilleruelo, L. (1995). <a href=\"https:\/\/mgoleta2.webcindario.com\/curriculum\/AMSTERDAM%20SUR%20_%20CIBERRIA%20%20%20NUEVOS%20ESPACIOS%20PARA%20EL%20ARTE.htm\" target=\"_blank\" rel=\"noopener\">Ciberria: nuevos espacios para el arte<\/a>. <em>Amsterdam Sur, <\/em>N\u00ba1.<\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_medium\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_medium\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><\/div><\/div><\/div><\/div><\/div><\/section>","protected":false},"excerpt":{"rendered":"PUBLICACIONESPROBLEMAS DESEADOS Y POSTNETART: desde 2014 hasta la actualidad 2021202020182016201520142021 Zubiaga,\u00a0 A. y\u00a0 Cilleruelo, L. (2021). See and Be Seen. Individuaciones (Des)conectadas. En Baigorri, L. y Ortu\u00f1o, P. (Eds.) Cuerpos Conectados. Arte, identidad y autorrepresentaci\u00f3n en la sociedad transmedia. Dykinson: Madrid. 2020 Cilleruelo, L. (2020). \u00ab\u00bfQu\u00e9 fue del net.art? Del open source al open for...","protected":false},"author":2,"featured_media":302,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-64","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.lourdescilleruelo.com\/web\/wp-json\/wp\/v2\/pages\/64","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lourdescilleruelo.com\/web\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.lourdescilleruelo.com\/web\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.lourdescilleruelo.com\/web\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lourdescilleruelo.com\/web\/wp-json\/wp\/v2\/comments?post=64"}],"version-history":[{"count":99,"href":"https:\/\/www.lourdescilleruelo.com\/web\/wp-json\/wp\/v2\/pages\/64\/revisions"}],"predecessor-version":[{"id":985,"href":"https:\/\/www.lourdescilleruelo.com\/web\/wp-json\/wp\/v2\/pages\/64\/revisions\/985"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.lourdescilleruelo.com\/web\/wp-json\/wp\/v2\/media\/302"}],"wp:attachment":[{"href":"https:\/\/www.lourdescilleruelo.com\/web\/wp-json\/wp\/v2\/media?parent=64"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}